ORCHESTRA / LARGE ENSEMBLESLever du jour (after Calvino) (rev. 2024, original version 2018), for orchestra [5’]
artifact: Elegy (2022), for large ensemble [13’]
Rising Installation (2019), for soprano saxophone and low-/medium-grade wind ensemble [7’]
Tombeau (2017), for chorus [6.5’]
…dal nulla… (2016), for orchestra [5’]
SMALL ENSEMBLESbehind (2025), for (mezzo-) soprano, chimes, and contrabass [1.5’]
fizzle / foirade (2025), for violin and piano [6’]
afterarise (2024), for soprano saxophone, piano, and amplified resonance [8’]
organic Harps diversely framed (2023), for two performers, harp, objects, and electronics [4.5’]
[llllllllll] (Haptic Study no. 1) (2023, rev. 2025), for quartet, fixed media, and video [5’]
cantus fractus (2023), for baritone, trumpet, trombone, and bass clarinet [7’, 2nd version of spargens sonum for trombone]
YTBF (2020), for clarinet in B-flat, alto saxophone, and electronics [7.5’]
thin places (2020), for sheng and guzheng [13’]
Catch and Release (2019), for four percussionists [8’]
for to (2019), for four trombonists [15’]
…e la luna nassara’ per sognar un altro di (2017-18), for string quartet [7’]
Miniatures for two violins (2015-16) [11’]
Fantasy for string quintet (2014) [9’]
SOLOspargens sonum (2022), for trombone and live electronics [open score, 7 - 14’]
The further shore (2021), for saxophone and six-channel live electronics [16.5’]
An indecipherable cause (2021), for piano [17’]
Réfractions (after Tagore) (2019), for solo violin [1’]
Tephra (2017), for marimba [4.5’]
Broken Images (after T.S. Eliot) (2017), for solo oboe [5’]
Cultivo una rosa blanca (2014), for soprano and piano [3’]
INSTALLATION / FIXED MEDIASamenstück (2024), for five hanging cassette players, tape, and plants [45’]
