ORCHESTRA / LARGE ENSEMBLESProprioceptification [Exquisite Corpse] (Haptic Study no. 2), for amplified ensemble and video [work in progress]
Lever du jour (after Calvino) for orchestra (rev. 2024, original version 2018) [5’]
artifact: Elegy (2022), for large ensemble [13’]
Rising Installation (2019), for soprano saxophone and low-/medium-grade wind ensemble [7’]
fant(h)ôm(m)e (in memoriam Gérard Grisey) (2018-19), for ensemble [21’]
Tombeau (2017), for chorus [6.5’]
…dal nulla… for orchestra, 2016 [5’]
SMALL ENSEMBLESorganic Harps diversely framed (2023), for two performers, harp, objects, and electronics [4.5’]
[llllllllll] (Haptic Study no. 1) (2023), for quartet, fixed media, and video [5’]
cantus fractus (2023), for baritone, trumpet, trombone, and bass clarinet [7’, 2nd version of spargens sonum for trombone]
YTBF (2020), for clarinet in B-flat, alto saxophone, and electronics [7.5’]
thin places (2020), for sheng and guzheng [13’]
Catch and Release (2019), for four percussionists [8’]
for to (2019), for four trombonists [15’]
…e la luna nassara’ per sognar un altro di (2017-18), for string quartet [7’]
Miniatures for two violins (2015-16) [11’]
Fantasy for string quintet (2014) [9’]
SOLOspargens sonum (2022), for trombone and live electronics [open score, 7 - 14’]
The further shore (2021), for saxophone and six-channel live electronics [16.5’]
An indecipherable cause (2021), for piano [17’]
strike / shine / overlap II (2020), improvisation for violin and Max patch [4 - 8’]
Réfractions (after Tagore), for solo violin (2019)
Tephra, for marimba (2017) [4.5’]
Broken Images (after T.S. Eliot) (2017), for solo oboe [5’]
Cultivo una rosa blanca (2014), for soprano and piano [3’]
