afterarisefor soprano saxophone, piano, and amplified resonance
2024
Antonio Jarvey, saxophone; Nathan Canfield, piano; Justin Zeitlinger, electronics/amplification
I do not know which to prefer,
The beauty of inflections
Or the beauty of innuendoes,
The blackbird whistling
Or just after.
—Wallace Stevens, “Thirteen Ways of Looking at a Blackbird” (1917)
Blackbird singing in the dead of night
Take these broken wings and learn to fly
All your life
You were only waiting for this moment to arise.
—John Lennon and Paul McCartney, “Blackbird” (1968)
one pause between each crow’s
reckless shriek Ikkyū Ikkyū Ikkyū
—Ikkyū (1394–1481)
afterarise (written for saxophonist Antonio Jarvey) explores birdsong as a conduit for sonic and ecological reflection. Fragmented field recordings of blackbirds—with various time-stretching and spectral techniques applied—serve as the work’s primary “source”; not as mimetic material, but as a lens for creative transcription and recomposition, revealing micro-structural layers otherwise imperceptible. Extended moments of stillness situate the sparse musical statements in a shadow of sympathetic resonance, drawing connections to the harmonic world of the Beatles’ “Blackbird” (a favorite song of both myself and the dedicatee). Inspired by Pablo Picasso’s line drawings of birds, afterarise ultimately attempts to capture the essence of a natural phenomenon through a multiplicity of perspectives.
PERFORMANCE HISTORYGalvin Recital Hall, Northwestern Bienen School (Evanston, IL), Feb. 22, 2025. Antonio Jarvey, saxophone; Nathan Canfield, piano; Justin Zeitlinger, electronics/amplification.